In recent years, the integration of sustainability into product design has gained considerable attention, particularly within the realm of cultural heritage. Museums, as guardians of historical artifacts, are now challenged to adapt their approaches, particularly in the design of cultural-creative products made of bronze. A novel methodology that combines the Kano model, Analytic Hierarchy Process (AHP), and Technique for Order Preference by Similarity to Ideal Solution (TOPSIS) has emerged as a robust framework for designing such products sustainably. This integrated approach has the potential to redefine how museums engage with their audiences and curate their offerings in a manner that respects both ecological and cultural values.
One pivotal aspect of the research by Hou, Li, and Yang (2025) focuses on understanding user preferences when it comes to museum products. The Kano model serves as a foundational tool in this analysis, identifying which product features are essential, what delights users, and what could potentially lead to dissatisfaction. By categorizing features into must-be, one-dimensional, and attractive qualities, the researchers provide a compelling framework for museums to tailor their products to meet the diverse needs of their visitors. This user-centric approach emphasizes the importance of audience engagement, a critical factor in museum sustainability.
The next step in the researchers’ approach applies the Analytic Hierarchy Process (AHP). This technique is instrumental in establishing a prioritization of the features identified using the Kano model. By breaking down the decision-making process into a hierarchy, AHP allows stakeholders to rank the importance of various product attributes systematically. Decisions based on quantitative comparisons enable museums to allocate resources effectively while ensuring that the final products resonate deeply with visitors. Effective prioritization leads to more informed design choices, resulting in products that are not only attractive but also sustainable in their production and lifecycle.
In addition to the user preference analysis and prioritization, the TOPSIS method is implemented as a final decision-making tool. By evaluating alternatives based on their geometric distance from an ideal solution, TOPSIS allows museums to choose the best possible product designs. This method incorporates various criteria, including sustainability, aesthetic appeal, and user satisfaction, providing a comprehensive evaluation framework. Ultimately, the integration of TOPSIS in this approach exemplifies a sophisticated balance between quantitative rigor and qualitative insights, enhancing the overall design quality of museum products.
A significant finding of Hou et al.’s research is the potential for sustainable design to resonate emotionally with users. Sustainable design, typically associated with environmental considerations, also encompasses cultural significance. The dual focus of the framework on ecological impact and cultural resonance empowers museums to create products that invoke a sense of history while being mindful of the planet. This holistic vision is essential for contemporary museums aiming to foster a greater connection with audiences in an increasingly environmentally-conscious world.
Moreover, sustainable design in museum products extends beyond the conceptual stage; it requires a commitment to the materials used and the processes employed in production. The research underscores the importance of selecting bronze and other materials that can be sourced ethically and produced with minimal environmental impact. By choosing materials that align with sustainability criteria, museums ensure that their products not only reflect cultural heritage but also embody eco-friendly practices. This alignment between material choice and design philosophy is a cornerstone of successful sustainable product innovation.
In addition, the cultural-creative products designed using this integrated approach can serve as educational tools. Museums face the challenge of not only preserving history but also communicating its relevance to contemporary society. Products created with a focus on user preferences can engage visitors in cultural narratives, making history feel immediate and applicable. This educational dimension adds value, transforming products into more than mere souvenirs; they become interactive elements of a broader museum experience.
Curators and museum professionals can especially benefit from insights gained through this integrated approach. By understanding user preferences and systematically evaluating product designs, museum professionals can craft offerings that enhance visitor satisfaction and engagement. Additionally, this methodology empowers museums to remain competitive in a rapidly changing cultural landscape, where the expectations of visitors evolve continuously. Institutions that leverage such innovative frameworks are likely to stand out and attract larger audiences, thereby achieving their educational and financial goals.
The implications of Hou and colleagues’ research extend to the global museum community as well. In an era where visitors demand meaningful and authentic experiences, museums must adapt by embracing sustainable practices. Globally, there is a growing awareness among institutions about the importance of sustainability, and this research provides a practical roadmap for integrating these principles into product design. By fostering a commitment to sustainability, museums can play a vital role in a broader cultural movement toward responsible consumption and preservation.
Sustainability also has implications for the economic vitality of museums. In an age where funding and resources can be limited, adopting sustainable practices can lead to cost savings over time. By investing in eco-friendly materials and processes, museums can reduce operational costs and rely less on non-renewable resources. This not only enhances a museum’s bottom line but also positions it as a leader in sustainable practices within the cultural sector.
Finally, the research offers a vision for the future of sustainable design in cultural-creative products. As museums continue to grapple with the realities of climate change and societal shifts, integrating user preferences, sustainability criteria, and innovative evaluation frameworks will become increasingly essential. The comprehensive approach presented by Hou et al. demonstrates that sustainable design is not merely a trend; it is a foundational aspect of future-ready museums. By continually refining their strategies based on research findings, museums can ensure that they remain relevant, engaging, and responsible custodians of culture in an ever-evolving world.
As museums look ahead, embracing the insights offered by this research will be crucial for navigating the complexities of modern cultural engagement. Incorporating sustainability into all facets of product design, from conception to execution, ultimately empowers museums to fulfill their mission with authenticity and vision. The ongoing dialogue surrounding sustainability will shape the museum sector’s future, and with the right tools, institutions can rise to the occasion, creating meaningful, memorable experiences for generations to come.
Subject of Research: Sustainable design of museum bronze cultural-creative products
Article Title: Sustainable design of museum bronze cultural-creative products through an integrated Kano-AHP-TOPSIS approach.
Article References:
Hou, L., Li, W., Yang, M. et al. Sustainable design of museum bronze cultural-creative products through an integrated Kano-AHP-TOPSIS approach.
Discov Sustain 6, 1212 (2025). https://doi.org/10.1007/s43621-025-02130-8
Image Credits: AI Generated
DOI: https://doi.org/10.1007/s43621-025-02130-8
Keywords: Sustainable design, museum products, cultural heritage, Kano model, AHP, TOPSIS.
