In a groundbreaking fusion of art and science, the Portuguese theatre company Marionet has unveiled a powerful and emotionally resonant play titled Oxímoro, entre Solstícios e Equinócios (Oxymoron, Between Solstices and Equinoxes), which delves deeply into the complex realities of bipolar disorder. Developed in close collaboration with medical researchers, mental health professionals, and those living with the condition, this theatrical production represents a significant advance in how scientific knowledge and lived experience can be shared with the public through empathic storytelling and immersive performance.
Bipolar disorder—a mental health condition often misunderstood and stigmatized—has traditionally been framed in clinical or sometimes derogatory terms. Marionet’s work challenges these narratives by grounding the play in rigorous scientific research from the Center for Neuroscience and Cell Biology at the University of Coimbra and first-person accounts from patients, caregivers, and psychiatrists. The creative process was anything but conventional: rather than building a linear narrative around fixed characters, the play is composed of multiple vignettes that explore varying emotional states, dilemmas, and interpersonal dynamics characteristic of bipolar disorder.
The integration of science into the arts was deliberate and meticulous. Marionet’s director, Mário Montenegro, emphasizes that the starting point was comprehensive interviews conducted with diverse stakeholders involved in bipolar disorder care and experience. These interviews informed the play’s script and helped the creative team avoid reductive or stereotypical portrayals. This methodological approach ensured that the play neither trivializes the disorder nor offers a simplified interpretation, instead inviting each audience member to engage with the material in a personal and emotionally authentic manner. By embracing complexity and ambiguity, the theatre piece creates space for reflection on mental health stigma and the biological underpinnings of mood dysregulation.
Performing arts have long been recognized for their ability to evoke empathy, but Marionet’s initiative elevates this potential by directly linking emotional engagement with science communication. The play ran for a limited engagement in March 2024 at the BlackBox of Convento São Francisco in Coimbra, Portugal, drawing around 300 spectators over six performances. The audience’s reaction was carefully studied: 54 attendees completed detailed questionnaires assessing their emotional experiences and knowledge absorption following the show. Analysis revealed that emotional resonance and personal identification with the characters significantly enhanced the audience’s understanding of bipolar disorder’s scientific and social dimensions.
This emotional engagement enhances scientific accuracy in several crucial ways. Contrary to the common belief that emotions may distort facts, Montenegro argues that, when thoughtfully embedded within an artistic framework, they deepen comprehension and retention of complex information. The play’s open-ended structure allows viewers to interpret scenes through the lens of their own experiences and sensitivities, promoting diverse, individualized insights. Such a method facilitates critical thinking about mental health issues and challenges societal stereotypes, ultimately contributing to destigmatization.
Marionet’s approach exemplifies a broader trend in health communication: leveraging storytelling and performative arts to translate scientific knowledge into accessible and emotionally compelling narratives. This practice insight was rigorously documented and published in the Journal of Science Communication (JCOM) as part of a special issue focusing on the intersection of emotions and science communication. The research, authored by Montenegro, Silvia Carballo, and Francisca Moreira, underscores how emotional involvement is a potent catalyst for public engagement with science, especially in domains that involve deeply personal and sensitive topics such as mental illness.
The collaboration with academic and clinical experts extended the impact of the play beyond the stage. The input from the Integrated Psychiatry Responsibility Center of Coimbra Hospital and University Center ensured the depiction of bipolar disorder was medically accurate and respectful. This cross-sector partnership between the arts and sciences highlights the importance of interdisciplinary dialogue for generating innovative methods of public education and social change.
International science communicators have taken note of Marionet’s pioneering work. Luisa Massarani, a prominent researcher at the Brazilian Institute of Public Communication of Science and Technology and guest editor of JCOM’s special issue, lauds the production as a beautiful and significant example of how theatre can engage audiences globally in mental health dialogues. She points out that although emotions play a crucial role in science communication, they remain underexplored in academic literature, calling for increased inquiry into this dynamic.
The Marionet experience powerfully illustrates that theatre is not only a medium for aesthetic expression but also a vehicle for knowledge dissemination and societal empathy building. By dramatizing bipolar disorder’s scientific and human aspects without prescribing fixed interpretations, the play invites viewers to confront their own assumptions and uncertainties. This participatory form of communication empowers audiences to transform individual understanding into collective awareness, paving the way for social inclusion and psychological support for people living with mental health conditions.
As the boundaries between scientific dissemination and artistic creativity continue to blur, Oxímoro, entre Solstícios e Equinócios stands as a testament to the potential of emotionally intelligent storytelling in advancing public health agendas. Its success suggests a promising future for similar interdisciplinary collaborations where nuanced emotional engagement serves not just to inform but to foster empathy, reduce stigma, and ultimately change lives.
Subject of Research: Bipolar disorder; science communication; emotional engagement in health education
Article Title: Theatre and bipolar disorder: dealing with emotions
News Publication Date: 10-Nov-2025
Web References: http://dx.doi.org/10.22323/157520250929164851
Image Credits: The Marionet Theatre Company
Keywords: Mental health, Science communication, Human social behavior, Public opinion, Social judgments, Stereotypes, Social exclusion
