The study’s author, Mirella Romero Recio, a professor in the Department of Humanities: History, Geography, and Art at UC3M, situates the poem within a long chain of transmission. The Odyssey and the Iliad first emerged as works of oral tradition, products of a professional storytelling culture in which bards recomposed vast narratives from memory before live audiences. Only later were they committed to writing, a transition that gave them unprecedented prominence throughout Greek antiquity. That written legacy then passed into the Roman world, where Ulysses became a familiar figure of Latin literature and moral debate, and from there it flowed continuously into the modern era. According to Romero Recio, understanding this chain of transmission is essential to grasping why the epic remains so adaptable: each generation has inherited a text that was itself shaped by centuries of reinterpretation.

One of the study’s central analytical points concerns what distinguishes the Odyssey from other epic traditions. Where the Iliad is organized around military exploits and the pursuit of honor on the battlefield, the Odyssey tells a story of return, the nostos, and of the protagonist’s defining quality of cunning intelligence, the mêtis. Odysseus survives not through superior strength but through adaptability, deception, improvisation, and an unshakable orientation toward home. This structural difference, the study argues, is precisely what has made the poem so endlessly reusable. A narrative centered on survival, displacement, and homecoming speaks to experiences far beyond the battlefield, which helps explain why the figure of Odysseus has been systematically reinterpreted in light of the dilemmas, crises, and ideologies of each historical period.

The research pays particular attention to the constellation of characters surrounding the hero. Penelope, Telemachus, Circe, and Polyphemus have each accumulated their own reception histories, and the study shows how these figures function as flexible cultural templates rather than fixed literary types. Penelope has oscillated between the model of the self-sacrificing, faithful wife and a far more active figure of political strategy and resistance. Circe has traveled from the archetype of the dangerous femme fatale to a symbol of autonomy and self-determination. Polyphemus, the Cyclops, has served as a foil for debates about civilization and barbarity. The study emphasizes that these reinterpretations are not distortions of an original meaning but part of the myth’s operating mechanism: the narrative survives precisely because its characters can absorb new meanings in every context.

A striking example of this contemporary shift involves the poem’s female figures. In recent literature and theater, characters such as Circe and Penelope have been reimagined as protagonists of their own stories, embodying autonomy, resistance, and political agency rather than serving merely as obstacles or rewards in a male hero’s journey. Romero Recio highlights a feature of the ancient text that makes such rereadings possible: the Odyssey is unusual among narratives of such antiquity in giving women a major role. Beyond their prominence within the plot, she notes, these women are portrayed as having their own lives and their own ways of seeing the world. That interiority, present even in the archaic poem, provides the raw material from which modern authors have built some of the most celebrated feminist retellings of recent years.

The study also documents how deeply the myth has penetrated scientific and psychological vocabulary. The very word nostalgia was coined in reference to the longing for return that the poem dramatizes, and the so-called Ulysses syndrome has entered clinical and popular discourse to describe the chronic, multilayered stress experienced by migrants facing prolonged uncertainty and separation from home. These examples illustrate the study’s broader claim that the Odyssey has shaped not only artistic production but also the conceptual language through which modern human experience is characterized and understood. An archaic Greek poem, in other words, continues to supply the metaphors with which contemporary society names its own forms of suffering and desire.

Alongside this reception history, the research integrates a rigorous historiographical and archaeological perspective, testing the poem’s fictional geography against the material evidence of the real Mediterranean. Odysseus travels through a space that is mythical, yet it is anchored in recognizable places. As Romero Recio explains, scholars since antiquity have tried to identify the locations mentioned in the text, and some are straightforward because they were, and remain, well known: Crete, Egypt, Cape Malea. It is precisely in the eastern Mediterranean, however, that the fantastical world of the Odyssey unfolds, and this is no coincidence. That region was far less familiar to the poem’s original audiences, and the unknown periphery of the known world became the natural stage for one-eyed giants, enchantresses, and conversations with the dead.

The archaeological dimension of the study reaches back to the Mycenaean context in which the epic’s historical memory is rooted, and it follows the long scholarly effort to separate historical reality from narrative fiction. The research examines the material and social transformations between the Mycenaean era and the Archaic period, the span during which the world remembered in the poem gave way to the world in which the poem was actually composed. It also details the modern history of this pursuit, from Heinrich Schliemann’s pioneering and often controversial excavations to the ongoing debates over the geographical location of Homeric Ithaca. These controversies demonstrate how the boundary between evidence and desire has always been contested terrain in Homeric studies, with each generation of archaeologists bringing new methods, and new assumptions, to the question of how much history the poem can be made to yield.

The theoretical framework for the research was developed within the project Modernized Antiquity: Classical Reception and Modernity in the Arts, Spaces, and Voices of Spain and Ibero-America (1850–1939), known as ANTIMO and funded by the Ministry of Science, Innovation, and Universities through the State Research Agency and the ERDF/EU fund. The project situates the Odyssey’s afterlife within the broader field of classical reception studies, which asks not what ancient texts meant in their original context alone, but how their meanings have been continuously produced, contested, and transformed across time. The findings are presented in the monograph The Return of Ulysses: The Journey of a Myth, published by La Esfera de los Libros in 2026, which consolidates the study’s analysis of the epic’s transmission from oral performance to transmedia storytelling.

What emerges from the UC3M study is a portrait of the Odyssey as one of humanity’s most successful narrative technologies. Its combination of a recognizable emotional core, the longing for home, with an open, geographically elastic adventure structure has allowed it to migrate across media without losing coherence: from oral recitation to written epic, from Roman moralizing to Renaissance allegory, from modernist fiction to cinema, comics, video games, and transmedia universes. Its characters remain available for reinvention because the poem itself encodes multiplicity, offering perspectives, including those of women and of the defeated, that later ages could enlarge. And its fictional Mediterranean, layered over real coastlines and real archaeological deposits, keeps inviting each generation to test story against evidence. Nearly three millennia after its composition, the journey of Odysseus continues, less as a fixed text than as a living framework through which cultures narrate displacement, resilience, and the meaning of return.

Subject of Research: The historical interpretations, archaeological context, and enduring cultural reception of Homer's Odyssey

Article Title: A UC3M study analyzes the different interpretations and enduring relevance of the Odyssey throughout history

Article References: A UC3M study analyzes the different interpretations and enduring relevance of the Odyssey throughout history. (n.d.). Original publication

Image Credits: AI Generated

DOI: Not provided

Keywords: Odyssey, Homer, Odysseus, Ulysses, classical reception, archaeology, Mediterranean, Mycenaean, UC3M, Penelope, Circe, nostalgia