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	<title>attention perception psychophysics &#8211; Science</title>
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	<title>attention perception psychophysics &#8211; Science</title>
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		<title>Hidden Social Biases in Emotion Recognition Emerge From Reaction Time Variability</title>
		<link>https://scienmag.com/hidden-social-biases-in-emotion-recognition-emerge-from-reaction-time-variability/</link>
		
		<dc:creator><![CDATA[Glenn Wilkins]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 22:57:31 +0000</pubDate>
				<category><![CDATA[Psychology & Psychiatry]]></category>
		<category><![CDATA[attention perception psychophysics]]></category>
		<category><![CDATA[cognitive psychology]]></category>
		<category><![CDATA[distributional analysis of response times]]></category>
		<category><![CDATA[emotion categorization]]></category>
		<category><![CDATA[Emotion recognition reaction time variability]]></category>
		<category><![CDATA[emotional categorization accuracy and consistency]]></category>
		<category><![CDATA[ex-Gaussian modelling]]></category>
		<category><![CDATA[face perception]]></category>
		<category><![CDATA[facial sex]]></category>
		<category><![CDATA[facial sex effects on emotion recognition]]></category>
		<category><![CDATA[happy-face advantage]]></category>
		<category><![CDATA[happy-face advantage in psychological research]]></category>
		<category><![CDATA[hidden social biases in emotion perception]]></category>
		<category><![CDATA[impact of response variability on emotion recognition]]></category>
		<category><![CDATA[influence of social categories on emotion judgment]]></category>
		<category><![CDATA[Jason Tipples]]></category>
		<category><![CDATA[limitations of average reaction time measures]]></category>
		<category><![CDATA[psychological methods in studying facial emotion processing]]></category>
		<category><![CDATA[reaction time distribution decomposition]]></category>
		<category><![CDATA[reaction time distributions]]></category>
		<category><![CDATA[response variability]]></category>
		<category><![CDATA[social biases in facial emotion perception]]></category>
		<category><![CDATA[social categorization]]></category>
		<category><![CDATA[social perception]]></category>
		<guid isPermaLink="false">https://scienmag.com/?p=224138</guid>

					<description><![CDATA[New research shows that the faster recognition of happy versus fearful faces conceals distinct effects on response speed, consistency, and slow responses that only distributional modelling can reveal.]]></description>
										<content:encoded><![CDATA[<p>For decades, psychologists studying how quickly people recognize emotions on faces have relied on a single, deceptively simple number: the average reaction time. Averaging is the workhorse of experimental psychology, but it flattens the rich structure hidden inside response-time data, discarding information about how consistent people are and how often they produce unusually slow responses. A new study published in Attention, Perception, &amp; Psychophysics by Jason Tipples of the University of Sunderland argues that this averaging habit has been masking something important. By decomposing reaction times into their distributional components, the research shows that the well-known tendency to categorize happy faces faster than fearful ones is only one thread in a far more intricate pattern, one in which social categories such as facial sex quietly shape not just how fast we respond, but how consistent and how error-prone our emotional judgments are.</p>
<p>The phenomenon at the center of the study is the happy-face advantage, the robust finding that people are quicker to classify a smiling face as happy than to classify a fearful face as afraid. The effect has been replicated across laboratories and stimulus sets, and it has become a standard benchmark for theories of emotion perception. Yet the advantage is typically established by comparing mean reaction times across conditions, a practice that treats every response as equally informative and assumes the distribution of responses shifts as a whole. That assumption, Tipples argues, is precisely where the trouble begins. Reaction-time distributions in speeded categorization tasks are famously skewed: most responses cluster near a fast modal value, but a long tail of slow responses stretches out toward several seconds. A mean blends these two regimes together, and any experimental manipulation that affects only one regime can be diluted, exaggerated, or rendered invisible by the averaging process.</p>
<p>To get around this limitation, the study turned to ex-Gaussian modelling, a statistical technique that describes each participant&#8217;s reaction-time distribution as the sum of a Gaussian component and an exponential component. The model yields three parameters, each with a distinct psychological interpretation. The mu parameter reflects the mean of the Gaussian component, capturing the speed of typical, fast responses. The sigma parameter reflects the standard deviation of that Gaussian component, indexing the variability or consistency of responses in the fast body of the distribution. The tau parameter captures the exponential tail, quantifying the frequency or magnitude of unusually slow responses. Rather than asking whether happy faces are categorized faster than fearful faces overall, the model asks a sharper question: which component of the distribution carries the effect? Does happiness speed up typical responses, tighten their consistency, or eliminate occasional slow stumbles, or does fear do the opposite?</p>
<p>The results revealed that the answer is all of the above, and that different components tell different stories. The mu parameter replicated the classic happy-face advantage: typical responses to happy expressions were faster than typical responses to fearful expressions, consistent with the conventional mean-based picture. But the sigma parameter told a complementary tale. Responses to happy faces were not merely faster; they were also more consistent, showing less variability in the fast body of the distribution. Fearful expressions, by contrast, produced more scattered responding. And the tau parameter showed that fearful expressions selectively increased the number or duration of unusually slow responses, those occasional trials on which categorization seems to stall. In other words, the happy-face advantage is not a single uniform shift in processing speed. It is a composite of faster typical responses, tighter response consistency, and fewer catastrophic slowdowns, each of which can be influenced independently by the stimulus and by the social context in which it appears.</p>
<p>The most provocative part of the study concerns social-category cues. A long line of research has shown that emotion perception is not socially neutral. Faces do not arrive in the mind as pure expressions; they arrive as men or women, as members of one race or another, and these category memberships interact with emotional expectations. Earlier work by Hugenberg and colleagues demonstrated that the happy-face advantage for White faces can shrink or reverse for Black faces, and studies by Becker, Bijlstra, Craig, Lipp, and Martin have shown that stereotypes linking particular groups to particular emotions, such as the association of anger with men and happiness with women, modulate how quickly expressions are recognized. Tipples&#8217; own prior work had already suggested that reanalysing existing data with ex-Gaussian models could reveal interactive effects of face race and face sex that mean-based analyses had missed. The new study extends that logic systematically, showing that social-category influences are distributed across the mu, sigma, and tau components rather than confined to a single speed measure.</p>
<p>This distributional view has consequences for how the field interprets social-category effects. If a stereotype-congruent combination, say a happy female face or an angry male face, speeds up typical responses but a stereotype-incongruent combination produces a burst of slow responses, the mean will register only a blended difference, and the underlying mechanisms will remain opaque. Two experimental conditions could produce identical mean reaction times while differing dramatically in consistency and tail behavior, implying entirely different cognitive processes. One might reflect a smooth shift in the speed of evidence accumulation, the other an intermittent conflict or hesitation that arises only on some trials. Conventional analyses cannot distinguish these possibilities; distributional analyses can. The study therefore functions as both a substantive finding and a methodological warning: the happy-face advantage literature, and by extension the broader literature on social influences on perception, may contain effects that are real but mischaracterized, or effects that have failed to replicate because the wrong statistic was used to detect them.</p>
<p>The technical machinery behind the analysis is worth appreciating. Ex-Gaussian models were fitted to the full reaction-time distributions, and the parameters were then analyzed with generalized additive models for location, scale and shape, a flexible regression framework developed by Rigby and Stasinopoulos that allows each distributional parameter to be modeled as a function of experimental predictors. This approach, which Tipples has applied in earlier papers on facial expression decision times and on diffusion-model accounts of reacting to angry and happy faces, treats variability not as noise to be minimized but as signal to be explained. The study used the NimStim set of facial expressions, a widely used stimulus battery validated with untrained observers, and the data and analysis code were made openly available on the Open Science Framework, allowing other researchers to verify the distributional decomposition for themselves.</p>
<p>Why should anyone outside the laboratory care about sigma and tau? Because the stakes of emotion perception are social. The speed and consistency with which we read expressions shapes first impressions, threat detection, hiring decisions, and clinical judgments. If social categories systematically alter not just the average speed of emotion recognition but the reliability of that recognition, then the biases embedded in everyday perception are more textured than a simple speed advantage suggests. A face that produces slower, more variable categorization in some observers is a face that is harder to read on the moments that matter, the ambiguous glance, the fleeting expression. Understanding that variability is patterned by social categories opens a route to interventions that target consistency and hesitation, not merely speed.</p>
<p>The study also carries a message for experimental psychology at large. Reaction-time data are collected in virtually every subfield of the discipline, from attention and memory to decision-making and social cognition, and the mean remains the default summary. The present findings join a growing chorus arguing that the mean is not enough. When an experimental manipulation changes the shape of a distribution rather than its location, mean-based analyses will misestimate, or entirely miss, the effect. The happy-face advantage, one of the most familiar effects in emotion research, turns out to be a case in point: its social-category modulation lives partly in the variance and partly in the tail, places the mean cannot see. As distributional and computational modelling becomes more accessible, the hidden structure of response variability is likely to yield further surprises, and studies like this one suggest that some of psychology&#8217;s most familiar effects are still waiting to be fully understood.</p>
<p><strong>Subject of Research:</strong> Ex-Gaussian analysis of how social-category cues shape reaction-time distributions in facial-expression categorization</p>
<p><strong>Article Title:</strong> Response variability reveals hidden social-category effects in facial-expression categorization</p>
<p><strong>Article References:</strong> Tipples, J. (2026). Response variability reveals hidden social-category effects in facial-expression categorization. <em>Attention, Perception, &amp;amp; Psychophysics, 88</em>(7), Article 198. <a href="https://doi.org/10.3758/s13414-026-03348-y" rel="noopener noreferrer">https://doi.org/10.3758/s13414-026-03348-y</a></p>
<p><strong>Image Credits:</strong> AI Generated</p>
<p><strong>DOI:</strong> <a href="https://doi.org/10.3758/s13414-026-03348-y" rel="noopener noreferrer">10.3758/s13414-026-03348-y</a></p>
<p><strong>Keywords:</strong> happy-face advantage, emotion categorization, ex-Gaussian modelling, reaction time distributions, response variability, social categorization, face perception, facial sex, social perception, Attention Perception &amp; Psychophysics, Jason Tipples, cognitive psychology</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">224138</post-id>	</item>
		<item>
		<title>A Single Sound Can Convince Your Brain That Touching Objects Never Made Contact</title>
		<link>https://scienmag.com/a-single-sound-can-convince-your-brain-that-touching-objects-never-made-contact/</link>
		
		<dc:creator><![CDATA[Cassandra Pierce]]></dc:creator>
		<pubDate>Sat, 12 Sep 2026 14:56:25 +0000</pubDate>
				<category><![CDATA[Psychology & Psychiatry]]></category>
		<category><![CDATA[attention and perception]]></category>
		<category><![CDATA[attention perception psychophysics]]></category>
		<category><![CDATA[audiovisual perception]]></category>
		<category><![CDATA[auditory influence on visual perception]]></category>
		<category><![CDATA[cross-modal interaction]]></category>
		<category><![CDATA[cross-modal perception]]></category>
		<category><![CDATA[ERP]]></category>
		<category><![CDATA[event-related potential]]></category>
		<category><![CDATA[human visual perception research]]></category>
		<category><![CDATA[multisensory illusion mechanisms]]></category>
		<category><![CDATA[multisensory integration]]></category>
		<category><![CDATA[multisensory processing]]></category>
		<category><![CDATA[non-contact illusion]]></category>
		<category><![CDATA[PD170]]></category>
		<category><![CDATA[perceptual psychology]]></category>
		<category><![CDATA[perceptual reconstruction]]></category>
		<category><![CDATA[sensory integration in the brain]]></category>
		<category><![CDATA[sound-induced illusion]]></category>
		<category><![CDATA[sound-induced visual segmentation]]></category>
		<category><![CDATA[stream-bounce effect]]></category>
		<category><![CDATA[visual motion perception]]></category>
		<category><![CDATA[visual object contact illusion]]></category>
		<category><![CDATA[visual-tactile illusions]]></category>
		<guid isPermaLink="false">https://scienmag.com/?p=195587</guid>

					<description><![CDATA[New research shows that a task-irrelevant sound presented at the moment two moving squares touch significantly strengthens the non-contact illusion, with early audiovisual brain responses revealing that low-level cross-modal interactions underlie the effect.]]></description>
										<content:encoded><![CDATA[<p>In a deceptively simple laboratory demonstration, two identical squares glide smoothly toward each other on a screen, their leading edges meet, and then both vanish. Asked what they saw, most observers insist the squares never actually touched before disappearing. This phenomenon, known as the non-contact illusion, reveals something profound about how the brain reconstructs visual events after the fact. Now new research shows that a brief, entirely task-irrelevant sound delivered at the exact moment the squares touch can dramatically strengthen this illusion, persuading even more viewers that the objects remained spatially separate when they were, in fact, in contact. The finding, published in Attention, Perception, &amp; Psychophysics, establishes a novel cross-modal perceptual effect and offers a fresh window into the architecture of multisensory processing in the human brain.</p>
<p>The study was inspired by an earlier hypothesis in the field sometimes called sound-induced visual segmentation. When two two-dimensional objects approach one another and reach their point of closest approach, a coincident sound appears to lead observers to overestimate the distance between them, as though the auditory event slices the visual scene into distinct objects. The research team, led by Wenxuan Song, Xiaoying Li, Yuan Guo, and Song Zhao of Soochow University in China, reasoned that if a sound can segment approaching objects in this way, it might also amplify the non-contact illusion that arises when two moving squares disappear precisely at the instant their edges meet. Across two experiments, they tested whether a sound presented at contact would increase the probability that observers report the squares as having never touched.</p>
<p>The results were clear and consistent. In both Experiment 1 and Experiment 2, participants were significantly more likely to give a non-contact response when a sound accompanied the moment of visual contact than when the squares collided in silence. This sound-induced increase in the illusion occurred even though the sound carried no information about the visual stimulus and participants were explicitly instructed to ignore it. The effect is therefore a genuine cross-modal influence: an auditory signal, meaningless on its own, reshapes the conscious perception of a visual event in a systematic and reproducible way.</p>
<p>What makes the finding particularly striking is that the effect runs in the opposite direction from what a simple collision interpretation would predict. The classic stream-bounce literature, dating back to Sekuler and colleagues&#8217; 1997 demonstration that a sound can make two crossing discs appear to bounce off one another, has often been interpreted through the lens of causal inference: the sound suggests a collision, so the brain infers a collision. But in the new study, the sound produced more non-contact judgments, not more contact judgments. If the sound had merely signaled that two objects struck one another, it should have biased observers toward reporting contact. Instead, it deepened the impression that the objects remained apart, ruling out this response-bias account.</p>
<p>The researchers also tested and rejected an attentional explanation. One possibility is that the abrupt sound simply distracts observers, impairing their ability to encode the visual event and thereby pushing them toward a default or guess response. If that were true, non-contact responses in the sound-present condition should have been slower than contact responses, reflecting a disruption of processing. The reaction-time data told a different story: the non-contact response was never slower than the contact response when the sound was present. In fact, supplementary analyses showed that reaction times for non-contact responses were significantly shorter in the sound-present condition than in the sound-absent condition, while contact responses did not differ between sound conditions. This pattern contradicts any account based on attentional distraction or slowed processing.</p>
<p>To probe the neural mechanisms underlying the effect, the team recorded high time-resolution event-related potentials, or ERPs, during Experiment 2. The critical comparison focused on an early cross-modal component known as PD170, a positivity peaking between roughly 125 and 175 milliseconds after sound onset that has previously been associated with low-level audiovisual interactions in early sensory cortex. The results showed that the PD170 was significantly larger on sound-present trials in which participants ultimately reported the non-contact percept than on sound-present trials in which they reported contact. This dissociation, emerging within the first fifth of a second after the sound, indicates that the sound-induced enhancement of the illusion is rooted in early, low-level cross-modal interactions rather than in later cognitive evaluation or decision processes.</p>
<p>The PD170 finding carries substantial theoretical weight. Early cross-modal components of this kind have been linked to interactions between auditory and visual cortex that occur automatically, before attention and higher-order cognition can shape the percept. By tying the strength of the behavioral illusion to the amplitude of this early component, the study substantiates the perceptual nature of the effect: the sound does not merely change what people say about the display but genuinely alters what they see. This aligns the new phenomenon with a family of well-documented sound-induced visual illusions, including the sound-induced flash illusion, in which a single flash accompanied by two beeps is perceived as two flashes, and the audiovisual bounce-inducing effect, in which a sound at the crossing point of two moving discs promotes a bouncing percept.</p>
<p>At the same time, the non-contact illusion and its sound-induced enhancement differ in an important way from the stream-bounce paradigm. The non-contact illusion does not require a sound to emerge; it arises purely from the visual statistics of the display, specifically the sudden disappearance of two squares at the moment their edges make contact. The sound merely strengthens an already-existing visual illusion rather than resolving an ambiguous motion event. This makes the paradigm a particularly clean tool for studying how auditory signals modulate visual spatial perception, because baseline and sound-modulated conditions can be compared within the same unambiguous geometric event. The authors note, following recent work by Zeljko and Grove, that there is no inherent bias toward any particular percept in the sound-absent condition unless it is intermixed with sound-present trials, further underscoring the importance of careful experimental design in this domain.</p>
<p>The methodological rigor of the study strengthens its conclusions. The researchers used mixed-effects logistic modeling with maximal random-effects structures, in line with contemporary best practices for categorical data analysis, and complemented frequentist tests with Bayesian analyses to evaluate null results. All trial-level data, subject-level data, analysis scripts, and experimental files for both experiments are openly available on the Open Science Framework, allowing independent verification and reuse. The study was approved by the Institutional Review Board of Soochow University, informed consent was obtained from all participants, and the work was supported by the National Natural Science Foundation of China and an undergraduate innovation training program at Soochow University.</p>
<p>Looking forward, the authors suggest that the sound-induced enhancement of the non-contact illusion constitutes a promising new paradigm for investigating multisensory processing. Because the effect is behaviorally robust, mechanistically traceable to an identifiable early ERP component, and free from the confounds that complicate stream-bounce designs, it offers researchers a versatile instrument for dissecting when, where, and how the brain integrates sound and sight. Some limitations remain: the design&#8217;s contact-duration constraints restricted reaction-time analyses to a single duration condition, and ERP requirements limited the number of participants meeting trial-count criteria in some conditions, pointing toward richer future experiments. Even so, the demonstration that a meaningless beep can tip the brain&#8217;s reconstruction of a visual collision toward the conviction that no contact ever occurred is a vivid reminder that perception is not a passive recording of the world. It is an active, multisensory construction, one that sound can quietly rewrite within a fraction of a second.</p>
<p><strong>Subject of Research:</strong> Sound-induced enhancement of the non-contact illusion, a cross-modal audiovisual perceptual effect studied with behavioral and ERP measures.</p>
<p><strong>Article Title:</strong> A novel cross-modal perceptual effect: Sound-induced increase of the non-contact illusion</p>
<p><strong>Article References:</strong> Song, W., Li, X., Guo, Y., &amp; Zhao, S. (2026). A novel cross-modal perceptual effect: Sound-induced increase of the non-contact illusion. <em>Attention, Perception, &amp;amp; Psychophysics, 88</em>(7), Article 183. <a href="https://doi.org/10.3758/s13414-026-03332-6" rel="noopener noreferrer">https://doi.org/10.3758/s13414-026-03332-6</a></p>
<p><strong>Image Credits:</strong> AI Generated</p>
<p><strong>DOI:</strong> <a href="https://doi.org/10.3758/s13414-026-03332-6" rel="noopener noreferrer">10.3758/s13414-026-03332-6</a></p>
<p><strong>Keywords:</strong> non-contact illusion, cross-modal interaction, audiovisual perception, multisensory integration, event-related potential, PD170, sound-induced illusion, visual motion perception, stream-bounce effect, perceptual psychology, ERP, attention perception psychophysics</p>
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