New research reveals earliest directly dated rock paintings from southern Africa
In a study published in the international journal Antiquity, Professor David Pearce, Director of the Rock Art Research Institute at the University of the Witwatersrand, Johannesburg, Adelphine Bonneau of Laval University, and colleagues at the University of Oxford showed that paintings in south-eastern Botswana are at least 5500 years old, whilst paintings in Lesotho and the Eastern Cape Drakensberg, South Africa, date as far back as 3000 years. These dates open the floodgates for researchers to ask and answer questions about the rock art that have baffled them for decades.
The dates obtained show some surprising results. In some sites, paintings continued to be made for more than a thousand years. "This is astonishing," says Pearce, "people returned to the same rock shelters over very long periods of time to make rock paintings very similar to those made centuries or millennia before. This finding has profound implications for our understanding of hunter-gatherer religion in southern Africa."
Research was conducted in the Thune Dam in Botswana, the Metolong Dam area in the Phuthiatsana Valley of Lesotho, and the Drakensberg Escarpment of the Eastern Cape in the 'Nomansland' region of South Africa. A total of 43 new dates were produced from these three areas, including the first direct dates on rock paintings ever in Botswana and Lesotho.
The new dates were obtained using radiocarbon dating. Over the decades rock art has proved extremely difficult to directly date. Indeed, it has been a major obstacle in this area of research. The success of this project is based on very careful chemical characterisation of the composition of the paint and contaminants on the rock. New chemical techniques were developed to remove contaminants from small samples of paint. These could then be dated using accelerator mass spectrometry (AMS) radiocarbon dating.
The two-phase research project entailed collecting tiny (less than a millimetre squared) quantities of pigment from the rock painting and then analysing these samples to determine which art should be sampled for AMS radiocarbon dating. The samples that contained the most carbon-black (and thus most likely to reveal dates) were then radiocarbon dated.
The dates reported in this study form the biggest set of direct dates on rock art in South Africa and the only direct dates ever obtained in Botswana and Lesotho.
Lead author, Bonneau, concludes in the paper: "This protocol is a step forward in the field of rock art dating by reducing the sample size to be collected, by optimising the success rate of such dating, and by limiting the impact on such valuable paintings while providing new chronological insights."
The authors of the study believe that the techniques they have developed have wide applications around the world.
This project was funded by the South African National Research Foundation, the United Kingdom's Natural Environment Research Council, the French Institute in South Africa, the Social Sciences and Humanities Research Council of Canada, the Fonds de Recherche Québécois Société et Culture, the Centre interuniversitaire d'Etudes sur les Lettres, les Arts et les Traditions and the Université du Québec à Montréal.
About the Rock Art Research Institute (RARI) at Wits
Researching and understanding archaeological rock art is the primary business of the Rock Art Research Institute, University of the Witwatersrand. Although undertaking substantial research in South Africa, researchers in the Institute have also studied rock art traditions across many parts of Africa and Europe. The Institute holds significant collections of African rock art material and curates the online South African Rock Art Digital Archive (http://www.sarada.co.za).
Besides research, the Institute has, over the years, spearheaded public outreach, developing several public rock art sites, mounting numerous exhibitions and developing the Origins Centre museum. Amongst its other achievements, the Institute is proud to have contributed the rock art figure at the centre of the South African national coat of arms and to have translated the national motto into the extinct /Xam language.